Showing posts with label Mozart. Show all posts
Showing posts with label Mozart. Show all posts

Sunday, March 8, 2009

Music, the Brain, and Ecstasy

Music, the Brain, and Ecstasy
Chapter 6: Composition
  • Imagery describes what perception cannot
  • The brain always works through abstract hierarchies, connecting ideas with a web of relations rather than storing a single data bank for a specific subject
  • Composers' brains group notes, chords, and progressions with such relations
  • [My own deduction] "Categorization circuitry" is essentially what is needed to build a computer capable of composition
  • A soloist draws upon a vocabulary of sounds a phrases that comprise a musical language
  • In terms of improvisation, a brain can't generate complex, far-reaching structures enough to improvise a piece of significant depth [but perhaps a computer can?]
  • Mozart mapped out the structure of his compositions before filling in the details (this is great news, because it's how my program is designed! So at least I know this method is workable!)
  • Scores can limit the capacity of composers (this again is good news: my program is not bounded by traditional scoring)
  • Intelligence comes from neural networks
  • "It is memory that is the composer's workshop"
  • "The phenomenon of musical ideas arriving full-blown in the composer's mind is called inspiration"
  • "[The soloist] works from a vocabulary of sounds, and a kind of grammar for juxtaposing them, that has become his musical language"
  • "Musicians work through a hierarchy of ready-made movements. Thousands of patterns of scales and arpeggios and chord progressions are deeply channeled in their nervous system"
  • "[Mozart] began by mapping a composition's structure. Only later did he go back to fill in supporting voices and embellishments that could be written in any number of ways without changing the basic character of the piece"
  • "Music notation tends to discourage complex melodies and rhythms"
  • "By promoting abstracted, hierarchical thinking, the score can seduce composers into a theoretical, unmusical approach to composition"
  • "In the end, intellectual power of any kind arises from the laborious creation of networks of neurons"
These constitute the notes I took on my reading today.